与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A spe...
Lera is a sociology student at a small-town university. Her mother is a sleepwalker who believes in miracles, and her father just left the family for another woman. Lera has no idea how to make her li...
In the vibrant African neighborhood of Château d'Eau in Paris, Charles is the smoothest of all the hustlers. His job to fill the districts numerous hair salons with customers. But when the competition...
Young boy with autism causes of hardships for his old parents, as his father isn`t accepting the fact that he is different from the rest while his mother is trying her best to fit his needs. His mothe...
Hampus and Adrian's relationship has gone down increasingly destructive paths and during one fateful discussion it all ends. Hampus and Adrian are no more, but in some way they have to go on living. A...